, Tennessee Williams' corpus in pursuit of the same goal. Oliver is Williams' representation of his own work, passionately Southern, affectingly violent and thoroughly fragile. Works Cited Aristophanes. The Wasps, The Poet and the Women, The Frogs, 1985.
Lovers' Legends. The Gay Greek Myths, 2002. ,
, Theories of Mythology, 2005.
Introduction" to A New Reader of the Old South, pp.pp I-XIV, 1991. ,
, Stories of the Old South, 1989.
, Stories of the Modern South, 1981.
The Greek Myths (1955), 1986. ,
, , 1951.
, Revue des deux mondes, p.1853
Concise Companion to Classical Literature, 1993. ,
Archetypal Image of Indestructible Life, 1976. ,
Lady Chatterley's Lover ,
Reading Pictures. A History of Love and Hate, 2000. ,
The Elusive Embrace. Desire and the Riddle of Identity, Random House/Vintage, 1999. ,
How Beautiful it is and how Easily it Can Be Broken, 2008. ,
Dictionary of Critical Theory, 2000. ,
Translated with an introduction by, Myth and Cult, 1960. ,
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, 1992. ,
Pico Della Mirandola" in The Renaissance, Studies in Art and Poetry (1873), 1920. ,
The Performative Icon, The Art Bulletin, vol.88, issue.4, pp.631-655, 2006. ,
Queer Semiotics of Expression: Gothic Language and Homosexual Destruction in Tennessee Williams's 'One Arm' and 'Desire and the Black Masseur, The Tennessee Williams Annual Review, vol.8, 2006. ,
, Dictionary of Psychology. London: Penguin, 1985.
Tennessee Williams in Search of Form in One Arm and Other Stories, Chicago Review, vol.9, issue.2, pp.86-94, 1955. ,
The Judith Butler Reader, 2008. ,
Migrations transatlantiques latentes dans 'The Yellow Bird' de Tennessee Williams, Journal of the Short Story in English, pp.49-61, 2013. ,
URL : https://hal.archives-ouvertes.fr/hal-01178261
, , 1997.
New York: Balantine, One Arm. New York: New Directions, pp.1948-54 ,
, Streetcar Named Desire and Other Plays. London: Penguin, 2000.